I was wondering why Arrival hadn't been mentioned yet, until I read Zirias post about it.
Ahh, yes, that was the one!
That is what SF can actually do: show us that our usual world is limited in a way that we normally cannot even perceive. Here it is a very simple aspect of limitation, and an explainable one - and the movie works, it manages to illustrate the possible consequences.
That one is a different matter. The books were considered guidebook for tripheads, for deep experiences of altered states of consciousness - and I don't think it is possible to get these messages into a movie. The old movie tried to achieve it to some extent - but it doesn't work as a movie. The new one now works well as a movie, but it neglects the more subtle aspects of the story.
In case You do not see what I am talking about, I give you an example:
As water creatures stir up the currents in their passage, so the prescient stir up Time. I have seen where your husband has been; never have I seen him nor the people who truly share his aims and loyalties. This is the concealment which an adept gives to those who are his.
Now this is obviousely not just pure story-telling, this is a quite precise statement about nature (if you believe in second sight, and if you think that prescience is a natural phenomenon), stating that second-sight is an
interdependent effect and leaves a residue. Now, everybody who practises the art can verify this.
The books are full with such things - and you will detect them if you have similar experiences. This is only possible in SF: ignore the whole discussion about parapsychology and whether it is a hoax or not, and instead give the relevant facts on
how it works.
The problem with movies is, that a movie already induces a trance-state, but you're the passive part: timing and control is done by somebody else. So you cannot connect to your own experiences. With a book you can.